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Tuy Sobil, or K.K., right, a former gang member from Long Beach, Calif., founded the club after being deported in 2004.
PHNOM PENH, Cambodia — It may be the only place in Cambodia where the children are nicknamed Homey, Frog, Floater, Fresh, Bugs and Diamond.
And there are not many places like this small courtyard, thumping with the beat of a boom box, where dozens of boys in big T-shirts are spinning on their heads and doing one-hand hops, elbow tracks, flairs, halos, air tracks and windmills. And, of course, krumping.
It is a little slice of Long Beach, Calif., brought here by a former gang member by way of a federal prison, an immigration jail and then expulsion four years ago from his homeland, the United States, to the homeland of his parents, Cambodia.
The former gang member is Tuy Sobil, 30, who goes by the street name K.K. The boys are Cambodian street children he has taken under his wing as he teaches them the art he brought with him, break dancing, as well as his hard lessons in life.
K.K. is not here because he wants to be. He is one of 189 Cambodians who have been banished from the United States in the past six years under a law that mandates deportations for noncitizens who commit felonies. Hundreds more are on a waiting list for deportation. Like most of the others, K.K. is a noncitizen only by a technicality. He was not an illegal immigrant. He was a refugee from Cambodia’s Khmer Rouge “killing fields” who found a haven in the United States in 1980.
He was an infant when he arrived. In fact, he was born in a refugee camp in Thailand and had never seen Cambodia before he was deported. But K.K.’s parents were simple farmers who failed to complete the citizenship process when they arrived.
Like some children of poor immigrants, K.K. drifted to the streets, where he became a member of the Crips gang and a champion break dancer. It was only after he was convicted of armed robbery at 18 that he discovered that he was not a citizen.
Like many deportees, he arrived in Cambodia without possessions and without family contacts. He was a drug counselor at first and then founded his break dancing club, Tiny Toones Cambodia, where he now earns a living teaching about 150 youngsters and reaching out to hundreds more.
With the financial support of international aid groups like Bridges Across Borders, based in Graham, Fla., he has expanded his center into a small school that teaches English and Khmer and computers in addition to back flips, head stands and krumping, or crazy dancing.
Some other deportees have found work that uses their fluency in English, particularly in hotels. Some have reunited with families. But many have slipped into unemployment, depression and sometimes drug use.
“Some were doing well initially but now over time have become unemployed or never did get employment, and just got discouraged,” said Dimple Rana, who works with Deported Diaspora, which is based in Revere, Mass., and helps deportees adjust.
“I know of a whole bunch of returnees whose mothers were sending money from their Social Security,” she said. “Now, with the economy in the United States, it is very hard and families are not able to send even $100 or $150.”
K.K. stands out as a success, both in finding a calling and in embracing his fate. He has a fair command of the language, unlike some deportees who arrived with no knowledge of Khmer.
“I think it was meant for me to be here, even though I lost my family,” he said. “And my kid is there, Kayshawn. He is 8.”
K.K. is in touch with his relatives in Long Beach but has not seen them since he was deported.
“Right now, you know, these kids are my family,” he said. “I don’t have a kid here, but I adopted one, a street kid. His mom and dad are on drugs.”
The boys and girls leaping and spinning here are the children of Cambodia’s underclass, like thousands who fill the slums of Phnom Penh — children who spend their evenings, as K.K. put it, “begging and digging through garbage to find food.”
K.K., whose youth was not so different from theirs, said he teaches them to find pride in who they are. A wall of his center is marked with students’ graffiti: “I want to be a rapper,” “I want to be a D.J.,” “I want to be a doctor.”
“I try to tell them not to judge people by the way they look,” he said. “I still have a struggle here in Cambodia. People judge me. People see me with tattoos and think I’m a bad guy.
“Sometimes it’s, ‘Come on, we’re going to kill some Americans,’ ” he said, describing threats from street toughs. “I’m not American. I’m Khmer, man.”
His journey between identities reached a point of strangeness when he was invited last December to perform with some of his students at a Christmas party at the United States Embassy.
“The American ambassador gave me a handshake and a hug, and asked me one day when his kid is a little older he wanted to put him in my school,” K.K. said.
The ambassador at the time, Joseph A. Mussomeli, recalled the performance as “great fun,” but he said the piquancy of the moment had not been lost on him.
“You are right that there is a certain wonderful irony to him being ‘rejected’ or at least ‘ejected’ from the U.S. and still landing on his feet — or shoulders and head — dancing,” Mr. Mussomeli said in an e-mail message.
“While watching him I was reminded of that great patriotic speech by Bill Murray in ‘Stripes,’ ” he added, “where he talks about Americans as being rejects from all the good, decent countries of the world! K.K. is/was an American in everything except in law — and he has shown this by his creativity, tenacity, and undying optimism.”
Now another irony is in store for K.K. His club has been invited to send dancers to perform in the United States — Cambodian boys who speak no English and have never left their country.
The real American among them, K.K., deported and excluded from the United States for the rest of his life, must stay behind.
“I can’t go,” he said over the thump of the boom box, as his boys jumped and bounced around him like tiny springs. “I can understand that they deported me here. I’d like to go visit — only visit, because I live here now. I have a brand new life.”
Great performance at New York. Was it a smooth, comfortable race for you?
"I switched from feeling good to not-so-good, but I think I'm starting to get stronger with the marathon because I expected to the hit the wall at (mile) 20 or 21 and it never happened. I was grateful for that because the wall is always painful."
You grew up in San Francisco where running conditions are better. What was it like training in the heat and humidity of the Lowcountry?
"When I first moved here, I couldn't breathe. I'd never been exposed to heat and humidity. I didn't think I was going to make it. I was struggling and all the runs I did were terrible. I'd do intervals (speed workouts) and they (laps/intervals) were much slower than usual ... I didn't know where all the water fountains were, so I eventually went out and bought a (hydration) belt. Then it got cooler and I felt better."
You were born in a refugee camp in Thailand near the border of Cambodia. Tell me about that experience.
"I was 8-months-old at the time (when they left) and don't remember anything, but my parents lived through the Kmer Rouge, then the Vietnamese invaded Cambodia and they lived through that. When the Vietnamese left, the country had to rebuild itself ... They (her parents) crossed the border on bicycles from Cambodia to Vietnam and my dad speaks multiple languages, which helped. The refugee camps were filled with Cambodians and (my parents) pretended to be Vietnamese. Then through the refugee system, we made it out ... I'm glad I don't have any memories of the experience."
How did you get into running?
"I realized pretty early that I could run well. I was pretty active. I played different sports, but running was a better fit for my body type."
Which sports did you play?
(Laughs) "I played basketball and volleyball — which is fine when you're 13. My strength in those sports was that I had a lot of endurance."
Tell me about running at the University of California-Davis.
"I got a partial scholarship. At the time, it was a (Division II) school and wasn't allowed to give full scholarships ... I ran the 3K and 5K. I also ran cross-country, but I didn't do as well at that. I think it's due to the fact that I have a smooth turnover and when it's interrupted, I don't run as well. I'm not a strength runner."
You went to the University of Oregon for your masters and PhD. Is Eugene running heaven?
"It's pretty much running heaven ... I wasn't even planning on running competitively post-collegiately. I moved to Oregon and didn't think it would effect me the way it did. But everyone is so enthusiastic about running and there are plenty of places to run."
How did you get into marathoning?
"I did it because my husband (Todd Braje) — my boyfriend at the time — was an ultra-marathoner and convinced me to run it (2005 Green Bay Marathon). He ended up getting injured and I did it myself. I figured if I wanted to make the 2008 (Olympic Marathon) Trials that I might as well ... I ran a 2:52 (third place overall female), but I hit the wall at mile 15."
You already had your sights set on the 2008 Olympic Trials?
"I don't remember exactly how I knew about the trials because at the time I didn't know much about running (opportunities)."
What brought you to Charleston?
"I got my (PhD) degree in clinical psychology but we have a year to do a clinical internship. My husband (also an academic) was applying for jobs too, so we knew there was a good possibility that we wouldn't be able to coordinate locations ... I came out here and interviewed and really liked the program. He ended up getting a job in northern California. My internship ends at the end of July."
Are there any races that you are looking at doing here?
"Definitely the Cooper River (Bridge) Run. I wanted to do the Turkey Day Run, but it's been so hard balancing everything and I need a little break to re-charge. I didn't even really want to do New York, but it ended up helping me stay sane and center me."
What do you think of the running scene here?
"I was really surprised when I first came here. I didn't think there would be much of a running scene. I've met a lot of runners and active people ... Still in different parts of Charleston, I feel abnormal running. I've been yelled at running on a path of a (Charleston Municipal) golf course. This guy was really upset that I had the nerve to be on the path, but there were no sidewalks — so what could you do?"
Where are your favorite places to run here?
"I like the West Ashley Greenway. I definitely wish all the mile markers were up, but that's OK. For short runs, I like the Battery. It's really nice out there."
Ratha Chau, the owner and chef of Kampuchea (the old name for Cambodia) told me that it has no relationship to the communist organization that was formed in 1970.
Chau initially immigrated to America to study psychology but found himself being drawn to food. He wanted to create something unique and enjoyable for New Yorkers as a tribute to the street food of his native country.
The menu is based on traditional flavors and classic Cambodian cooking techniques, and then takes it a step further with respect to culture and flavors. Chau explained that everything must be fresh because Kampuchea’s food is a combination of cooked and raw ingredients. The menu is not fusion; it is novella. This reflects what Chau experienced and tasted growing up in Cambodia.
Menu items reflect the tastes of southern Cambodia combined with other regional influences.
Although Kampuchea is small and cozy, the atmosphere is lively and upbeat. It is rustic yet modern with Asian oak communal tables, stools-only seating, tin ceilings, and steel fans—all of which serve to create a comfortable atmosphere for your dining experience.
Cambodia is one of the few countries in South East Asia that is underpopulated. It is a peninsula surrounded by Thailand, Laos, Vietnam, and the South China Sea. About half of the country is a tropical forest. The country overall is rich with produce and seafood which is portrayed in the country’s cuisine.
Chef Chau (ex Blue Water Grill, Asia de Cuba, and Fleur de Sel) decided to take the plunge to open this Cambodian restaurant without realizing that he would create an incredible interest for diverse diners, who would travel distances to experience Kampuchea. The menu is original and creative. It was originally developed by Chef Chau and Scott Burnett, Chau’s partner and executive chef. The menu is comprised of five sections—from small Cambodian plates, crepes, Num Pang (Cambodian sandwiches), grilled items, and Katieve or noodle dishes. This diverse, eclectic menu is a delight to the epicure, as it awakens every taste bud of the palate.
The grilled sweet corn is a recommended starter—grilled corn smothered with chili mayo and coconut flakes. It’s very light. It could have a South America touch, but the bottom line is that it’s delicious.
The Lyche martini is another excellent way to start out. It is very subtle, and not too sweet or boozy, making it a nice compliment to the flavorful and spicy food.
New Yorkers are so lucky to have the world cook for them in their backyards. All of the proteins are made from naturally raised animals. Kampuchea does not serve desserts, but with such a wonderful variety of eclectic foods who needs dessert?
The oxtail stew with tamarind, green papaya, and raw vegetables was my friend’s favorite. The sandwiches were also up there as they made for a very nice close to the dinner, leaving one feeling warm, happy, and healthy. Not too heavy with a pleasant aftertaste reminding you that you just had a stellar meal.
The Verdict: I quote my friend who said, “A brilliant little find that should be kept a secret. I would come here alone or with friends again and again.”
Price per plate ranges from $9.00 to $ 17.00
Kampuchea Restaurant 78 Rivington Street (corner Allen Street), New York, NY 10002, (212) 529-3901
Lunch: Friday through Sunday 12:00 p.m. to 4:00 p.m.
Dinner: Tuesday through Thursday 5:30 p.m. to 11:00 p.m., Friday and Sunday 5:30 p.m. to 12:00 a.m. Sunday 5:30 p.m. to 10:30 p.m.
Major credit cards accepted. Web site: kampucheanyc.com
Leaders of Laos, Vietnam and Cambodia signed yesterday a Vientiane Declaration on strengthening the development triangle co-operation and approved the joint agreement of the fifth summit. These were a part of mechanisms to further their co-operation on development triangle area discussed at fifth summit of the Prime Minister Bouasone Bouphavanh of Laos, his Vietnamese and Cambodian counterparts Nguyen Tan Dung and Samdech Hun Sen in Vientiane on 26 November. At the summit, the joint co-ordination committee has also signed the MoU to build the policy for attracting and provision of facilities to promote trade, investment and tourism in which the mechanism has been asked to determine in order to realise the said MoU.
Mr. Bouasone Bouphavanh, Prime Minister of Laos has said that the signed agreements are very importance and significance because it would be a fundamental principle as well as the key reference for the member country to develop the development triangle area with sustainable, richness and prosperity manner. He added that in order to reach the goal of development triangle, the member country has to double work, particularly to increase the fund to develop the infrastructure and human resources.
During the event, the three sides has agreed to build the forum for business sector and propose to organise the meeting for leaders of three countries with business sector at the next summit. Laos and Vietnam has expressed thanks to Vietnamese government for its great assistance on human resource development. They also agreed to encourage the exchange visit of youth leaders from three countries and considered to organise the meeting for the youth leader of the three countries during the next summit.
On this occasion, the leader of the countries has unanimously agreed that the 5th CLV summit held in Vientiane on 26 November has reached with highest successful and met the target goals.
In addition, the three PMs agreed to propose the ASEAN Secretary - General to ask the Thai government to confirm the hosting of 14th ASEAN Summit.
PHNOM PENH, Cambodia (CNN) -- A man strums an electric guitar while another musician blows on a buffalo horn converted into an instrument. A boy performs the traditional Cambodian monkey dance spliced in with breakdancing beats while a singer raps to the moves.
The lead male character, Sam, rehearses in a Phnom Penh studio in early November.
The artists are rehearsing for Cambodia's first known contemporary rock opera, "Where Elephants Weep," which makes its world debut Friday in Phnom Penh.
The production, loosely based on a classical Cambodian love story and performed in both English and Cambodian, is part of a bid to revive the arts in the Southeast Asian country, where most artists died under the Khmer Rouge, an ultra-Maoist movement bent on building an agrarian utopia.
"I think when any culture is interrupted by the tragedy of war, it's particularly important to go back and visit those (ancient) traditions, but we are in the 21st century and it's also important to bring those traditions forward," said John Burt, the show's executive producer and founding chair emeritus of Cambodian Living Arts, which commissioned the production.
"Where Elephants Weep" is the tale of two Cambodian-American men who return home after surviving the 1970s genocidal Khmer Rouge regime to reconnect with their roots but are confronted by the tragic past as well as an unfamiliar modern Cambodian society. One of them ends up in a pagoda and ultimately dead, while another falls into a doomed love affair with a leading local pop singer.
"There are many, many twists and turns in the love story that we have created that bring together the marriage of east and west and also address very specifically the clashes between east and west, between modernity and ancient life," Burt said. Watch rehearsals, listen to creators of "Where Elephants Weep" »
Those worlds can be seen in the dance, where American and Cambodian choreographers fused traditional Cambodian dance, including using shadow puppets cut into the shape of elephants, with the back spins and handstands of breakdancing.
The music also parallels the east-west journey of the two male protagonists.
Composer Him Sophy, who studied in Russia for 13 years after surviving the Khmer Rouge labor camps, has blended rap, religious chanting, rock, his country's ancient music, operatic styles, pop and even added a Khmer Rouge propaganda song as a cell phone ringtone in the production.
Two musical ensembles will perform on the stage: a traditional Cambodian one that includes some 37 instruments such as the long-neck guitar and a one-stringed instrument; and a Western rock band outfitted with drums, an electric bass, piano and synthesizer.
"I knew before that it would be so difficult for me as a composer because traditional musical instruments are never played in big performances, Cambodian musicians never read (musical) notes, they don't work with a conductor and especially related to the tune -- the pitch of traditional instruments -- it's not enough tune to perform with the rock band," Him Sophy said.
To resolve the tune issue, the composer said he and his team "reinvented" some of the Cambodian instruments, such as the buffalo horn -- believed to be used for some 1,000 years to call elephants.
"The commission of this opera ... was to inspire and invite him (composer Him Sophy) to bring his own voice of the ancient Khmer sound into his own score that married his traditions with western pop and rock tradition," Burt said.
Most of Cambodia's artistic traditions had been passed down orally, from teacher to student, up through the 1970s. But a majority of the country's artists were some of the at least 1.7 million people -- nearly a quarter of Cambodia's population -- who died under the Khmer Rouge from execution, disease, starvation and overwork, according to the Documentation Center of Cambodia.
Five of the regime's former leaders are awaiting trial before a U.N.-backed tribunal for war crimes and crimes against humanity.
The loss of Cambodia's artists spurred efforts to find survivors who could instruct future generations about the country's ancient arts, some of the instruments of which can be seen carved on the temples of Angkor Wat, which are up to 1,200 years old, in Siem Reap.
Cambodian Living Arts now has 20 master artists teaching nearly 400 students, plus an archive sound studio. The group is expanding its efforts to include commissions of new work, such as the rock opera.
Him Sophy lost two brothers to the Khmer Rouge.
One of the songs he composed for the production, "No Mother," is about those who lost their parents under the Khmer Rouge, and the main character, Sam, has suppressed many of his painful memories of being a child soldier during that era.
"Of course, the tragedy for Cambodian people, I cannot explain it all, but I would like to show it through the opera," he said.
The story is not just a reprisal of the country's tragic past, but a look at it today: there are scenes of beer girls and nightclubs, Buddhist religious ceremonies and a planned traditional arranged marriage, and the newly rich living in freshly-acquired luxury homes.
Burt said a Cambodian-American friend inspired him to bring forward the story of those refugees who go back and "land in this very betwixt and between place, where they are not really American, they are not really Cambodian."
The cast includes Cambodian-Americans, one who said the experience has been a homecoming of sorts for her.
When Amara Chhin-Lawrence, 27, came to Cambodia for the project in 2003, "it was very much a feeling of being at home ... because there wasn't this dual nature anymore."
"This is where I feel like my yearning for my homeland will rest," she added.
Burt, who had to have a theater renovated to accommodate the size and scope of the show since there was no suitable venue in the country, aims to take it to other cities around the world but believed it was important to have the world premiere in Cambodia.
"Cambodia soon will and should have the stages that can welcome international touring shows, that can welcome the shows of their own people, and our hope is that this show really raises the possibility for that to occur," he said.
The creative team also hopes audiences will view Cambodia differently after seeing the show.
The production presents "Cambodia in the light that it so urgently needs to be shown in," Filloux said. "And that is not in terms of the Khmer Rouge regime, not in terms of looking in the rearview mirror, but in looking towards the resilience of spirit of Cambodian people, at the enormous challenges that they have faced and how their art and their sensibility and their spirituality can utterly transform them."
Nov. 28, 2008
The garbage dump in Cambodia's capital spans eight football fields and is more than 100 feet deep. Its stench in the hot humidity of Phnom Penh carries for miles.
Steung Meanchey, the massive dump, offers up scraps of glass and metal that children gather and sell, making less than a dollar a day -- enough for one bowl of rice. Many live in shacks made of bits of wood and plastic. It is where the poorest of Cambodia's desperately poor children eke out a living.
With nowhere else to go, children head to the dump as a last resort. Many have lost their parents and this dumpsite is their lifeline.
While on vacation between jobs in 2003, former top Hollywood executive Scott Neeson saw the dump's devastation for the first time.
"It shattered my world. It was like walking from the best parts of west Los Angeles, where I was living, to the apocalypse," Neeson said. "It's worse than anything you can imagine. There are body parts, there are chemicals. I found limbs. I found fetuses, chemical waste. There are rats, all sorts of sinkholes that people disappear into."
Peak hours between midnight and 4 a.m. are the most crowded and dangerous times at the dump.
There's an average of 24 children every day who are backed over by the trucks and tractors," Neeson said. "You see the sight of 20 to 30 kids with flashlights on their heads and motorbike batteries on their backs going through the garbage. It's just the saddest, saddest thing."
After seeing the desperate circumstances of the dump with his own eyes, Neeson vowed to give these poor children a second chance in life to escape their impoverished surroundings.
"This country is so broken," said Joseph Mussomeli, former U.S. Ambassador to Cambodia. "It has been 30 to 40 years of a nightmare -- genocide, civil war, foreign invasions, rampant corruption; anyone who has had any education has been annihilated."
In 2004, Neeson left the film industry and moved from Tinseltown to Phnom Penh to found the Cambodian Children's Fund, or CCF.
"The plan was much more modest," Neeson says of his initial vision. "It was to come here to set up a facility for 45 children, and to raise them to be not just well educated and good parents, but also community leaders."
His vision has flourished; CCF now hosts more than 400 children. Funded with private donations and child sponsorships, CCF provides a home, food, health care and job training to children in critical need. The facilities continue to expand and the progress is visible.
As executive director, Neeson knows the name of every child and has seen how far they've come since CCF opened its doors.
Kunthea, a 14-year-old girl who fled an abusive home, has found her livelihood at CCF.
"Sometimes my father used violence on my mother; they fight," she said. "I try to go between them and he also beat me. He used sticks to beat my mother."
Kunthea learns English at CCF, as well as food hygiene and nutrition at its Star Bakery. Her passion is being there, making nutrient-enriched breads and distributing them to the local community.
Wearing a tall chef hat as she rolls dough in the bakery, filled with the smell of freshly baked cookies, Kunthea seems worlds away from her life at Steung Meanchey. She also volunteers her time teaching village children to read.
"In the future, I want to open a shop to help my parents and all my siblings," she said.
Neeson has high hopes for Kunthea.
She hasn't yet come to terms with her own potential," Neeson said with pride. "I'm hoping that in a year's time she will be looking at doing things much more meaningful for Cambodia."
Besides offering a safe haven from the garbage dump, CCF is a place where the children learn computer skills, attend classes and beauty school, and are taught traditional dances and songs.
They learn to sew and make bags with their own handmade-in-Cambodia designer label, Srey Meanchey, which loosely translates to Little Miss Garbage Dump.
In addition to support at the facilities, CCF has arranged for many of those living at the dump site to have access to fresh water, mosquito nets to help prevent against disease and health care at no charge. These services can be vital to the survival of the families.
At the dump site, Neeson found 16-year-old Saroeurn. Motherless, he had called Steung Meanchey his home since he was 3 years old. Saroeurn used to work day and night at the site, rummaging through trash. "He'd work at the dump until he was exhausted and just found a place to lie down amongst the garbage, sleep, wake up and continue picking garbage," Neeson says. "And this was year on year, he was doing this.
Saroeurn has become a chef at the local restaurant, Metro, where he cooks steak and other specialties. He serves as a mentor and role model to CCF's younger students, dreaming of life beyond the dump.
Nearly every day Neeson continues to makes the trek to the dump site, providing hope in a world that seems hopeless and looking for the community leaders of tomorrow.
His new home in Phnom Penh is far from his former lifestyle, hanging with Hollywood big wigs and spending weekends at Catalina.
"I had a big motor yacht. I do miss it," Neeson says. "Now I spend Sundays at a garbage dump."
In July, Neeson was awarded the Peace Award by the non-profit organization Ambassadors for Children, for his devotion to serving the disadvantaged, abused, and abandoned children of Cambodia.
Far from Hollywood, Neeson continues to pave the way for hundreds of children in Cambodia to have their own happy ending.
"There is a contentment now and a fulfillment that I would never get anywhere else," he said. "I'm not sure if it's happiness -- I don't know how you define happiness -- but there's a knowledge now that what I'm doing is right and what I was meant to do."
"I can say that the complicated situation of politics in Thailand has exactly negative impact on the border discussion and plantation of border makers between Thailand and Cambodia," he told reporters after coming back from a regional meeting in Laos.
Both sides have already agreed to hold foreign ministers' meeting next month in Siem Reap and the experts from the two countries are also scheduled to measure the land, plant border makers and cleaned the mines near the Preah Vihear Temple during the same month, he said.
The resolution of the border matters now depends on the Thai side's situation, he said.
"We still need more time and are following the situation in Thailand," he added.
In October, Cambodian and Thai troops exchanged fire on their disputed border area, killing two and wounding a dozen.
Prior to the clash, the ownership of the Preah Vihear Temple caused both sides to maintain military stalemate near the border for weeks.
During this period, rounds of meetings were held, but all failed to find common ground on the border issue to break the stand off.
The two countries have 790-km-long border line, but only with 73 border posts which were planted in 1907.
Editor: Liu |
Fri 28 November 2008
UK — Asia,Primates
Written by Kay Kimsong | |
Friday, 28 November 2008 Phnom Penh Post | |
TOURISM officials said Thursday that flight cancellations caused by the recent political unrest in Thailand have cost the Kingdom nearly 500 international tourist arrivals per day. Mobs with the pro-monarchy People's Alliance for Democracy on Tuesday stormed Suvarnabhumi International Airport and on Thursday closed Don Mueang Airport in Bangkok, prompting airport officials to cancel all departing flights. Ho Vandy, president of the Cambodia Association of Travel Agents, said as many as 500 tourist arrivals would be lost by the disruptions in Bangkok, which would affect travel agencies, hotels and other related services. "The question is who will share responsibility for the loss," he said. Luu Meng, president of the Cambodian Hotel Association, said the loss of international tourists could put a squeeze on the Kingdom's hotel sector. "If the problems in Bangkok continue, some hotels in Siem Reap will be without guests," he said. He added that flight cancellations had left some travellers in Siem Reap without a return flight, and others in Bangkok without service to the Angkor temple town, a key tourist hub. "Phnom Penh hotels have not been impacted much, but Siem Reap could sustain a big impact," he said. Kao Sivorn, director of Cambodia's State Secretariat for Civil Aviation, said between eight and 10 flights from Bangkok to Siem Reap have been cancelled since Suvarnabhumi was occupied by protesters. |
Written by Brendan Brady and Thet Sambath | |
Friday, 28 November 2008 Phnom Penh Post | |
But as Bangkok erupts in civil unrest, Cambodia unlikely to take advantage of its neighbour's upheaval to press its point Photo by: HENG CHIVOAN A soldier unrolls cartridges of ammunition in Preah Vihear in this file photo. Civil unrest in Thailand makes a speedy resolution to the months-old border standoff unlikely. AFTER ratcheting up its rhetoric last month, the government has since resisted taking jabs at Thailand over their disputed territory, even as escalating political upheaval in Bangkok has made progress in border negotiations impossible. "Nothing has changed in our negotiations with the Thai government," said Foreign Ministry spokesman Koy Kuong. "They claim they are fine and still able to communicate [over diplomatic affairs]." The government remains tight-lipped on its ability - or inability - to engage with the besieged regime. "The protests don't affect us. That's their internal dispute and we won't interfere," said Koy Kuong. But as rioting in Bangkok boils over into full-blown civil unrest, forcing the Cabinet to go into hiding and putting the government's foreign affairs on the backburner, Cambodia faces the possibility of losing another chance to advance negotiations over its shared border. Some Asean member states have asked Thailand to postpone a regional summit it is supposed to host in Chiang Mai next month, and the scheduled bilateral talks in Siem Reap in January could also fall by the wayside. Even if the summit is held, Cambodia will not put the border dispute on the agenda, according to Council of Ministers spokesman Phay Siphan. "We're not going to pressure Thailand. Through bilateral talks, we can talk in a friendly way." Changing its tune The government has been advancing a patient line on Thailand's internal turmoil. But this hasn't always been the case during the five-month-old standoff. Hun Sen on October 13 delivered an ultimatum to Thailand that it must withdraw its forces from Cambodian territory, warning of a "full-scale conflict" if Bangkok did not comply. But, after a border clash a couple of days later that claimed the lives of three Cambodians, Hun Sen downplayed the threat of war. Telling reporters that "Cambodia is poor and will not show its muscles", Hun Sen assumed a decidedly humbler tone, which he has largely maintained since. This approach has frustrated Yim Sovann, a lawmaker from the opposition Sam Rainsy Party, who said Thailand's reliability as a negotiator should be raised during the Asean summit in December. "Since July, there have been many meetings but no results," he said. But Chea Vannath, an independent commentator on social and political affairs, said that "while what's happening within each country affects the other in border talks, the reality is that patience is expected". She also said that Hun Sen, while a seasoned veteran in persevering through domestic conflicts, had limited experience in formal international diplomacy, and therefore may still be finding his range in speaking on a dispute that's in the global limelight. Thitinan Pongsudhirak, a political analyst at Bangkok's Chulalongkorn University, thought the Cambodian government was wise to avoid embarrassing Bangkok. "The bottom line is there's no way for an agreement now because the Thai Cabinet and parliament are unable to convene." If Cambodia were to petition for third-party involvement, the international community would sympathise with the domestic difficulties in Thailand that left the hands of its government tied, he said. "Cambodia has every right to do that, but it could damage the long-term relationship between the two sides," he said. Saving face is paramount in Asian diplomatic etiquette, he added, and pressing an already beleaguered regime could be seen as stepping outside the accepted rules of engagement. "The Thai government is falling, so to step on it by pressing it for a resolution would be viewed as adding insult to injury." |
By Sok Khemara, VOA Khmer Original report from Washington 27 November 2008 |
Monks and Cambodians from various US states plan to hold a peace march at the UN headquarters in December, aiming to renew attention to ongoing border disputes.
The
Venerable monk Sao Khorn, head of the
A monthslong military standoff between
By Kong Sothanarith, VOA Khmer Original report from Phnom Penh 27 November 2008 |
Survivors of the Khmer Rouge want justice for those killed and reparation for the rest. |
“We need hospitals for victims,” Chhou Ny Sinan, project officer for justice and reconciliation of Youth for Peace, said Thursday, during a two-day seminar on reparations for victims. “We need support to build centers for the old, widows and children.”
Victims of the regime, non-governmental agencies and other participants discussed Wednesday and Thursday the needs of victims, as a Khmer Rouge tribunal moves forward.
Some victims said they needed common reparation, such as monuments, schools and hospitals. And they need real justice.
“We need a place that we can pray for the souls of the victims,” said Seng Theary, executive director of the Center for Social Development, whose parents were killed by the regime. Crying, she added: “1.7 million lives, who died, this is costly and we must have respect for them, and give them honors.”
Other survivors of the regime, such Chum Mei, a former prisoner of Tuol Sleng, whose director, Duch, is to go on trial next year, and Sum Rithy, who lived through a Khmer Rouge prison in Siem Reap, said individual reparation should be available.
The internal rules of the Khmer Rouge tribunal do not allow for individual reparation, such as awarding cash to victims, but for “psychological” or common reparation.
“Compensation cannot be done for individuals,” Kong Srim, president of the tribunal’s Supreme Court, said Thursday.
However, lawyers for the tribunal said the internal rules are not clear enough in their definition of “psychological.”
They asked for recommendations for an amendment to the rules.
EC banned all flights of the Siem Reap Airways to its countries, because it was gravely concerned with safety standard, Rafael Dochao Moreno, Charge d'Affaires of EC's diplomatic mission to Cambodia, told a roundtable discussion on economic and political cooperation between Cambodia and EC.
It also involved the company's technique, training and other confidential report, he said.
After EU put it on blacklist, the Cambodian government also banned its domestic flights, he said.
"We hope the matter will be solved soon," he added.
Earlier this month, EC added the Siem Reap Airways, a local subsidiary of the Thailand-based Bangkok Airways, to its blacklisted airlines, citing its failure to comply with international and Cambodian civil aviation standards.
Editor: Zheng E |