Written by Kelcie Moseley
Thursday, 15 October 2009
University of Idaho
Imagine yourself at 16 — barely settling into middle school or high school and oblivious to most of the world around you. Now imagine you were told you were being given a recording contract with a fairly well-known record label, and you’d be able to do what you always dreamed of doing: singing. Life is going well, and people begin to recognize you for your beauty and your voice. Then suddenly a man falls in love with you, but not just any man — a much older, powerful man, one who is important and noticeable throughout the country. And with that power, he coerces you into staying with him, though you do not love him. He threatens you if you say you want to leave and keeps a gun around to make sure you don’t try. So you stay.
But it’s not long before you find out he’s a married man. And one day, with no warning, his wife — whom you’ve never met — grabs you on the street by the hair, beats you and throws a liter of acid over your face and body.
The life you knew is instantly taken away, and the people who were responsible are never brought to justice.
This is the story of Tat Marina (pictured), a Cambodian woman who was allegedly attacked by Undersecretary of State Svay Sitha’s wife in 1999. Ten years and 25 surgeries later, Marina’s appearance is still a shadow of her former self. She was lucky enough to be granted juvenile amnesty in the U.S. after she was attacked, but every morning she literally draws most of her features onto her face in eyeliner, eyebrow pencil and lip liner.
Marina wears hoods to cover her face in public, and she lives in a constant state of fear for her family, who were still living in Cambodia at the time of the film, and were threatened many times by Sitha.
“Finding Face” does not play soft with its audience. Most of the film speaks for itself through Marina’s testimonial, in addition to her family’s, but the filmmakers also let the audience watch as Marina’s family sees her on film for the first time since she was attacked. Their reaction to her appearance — which they had assumed would be closer to her former self — is one of the most heartbreaking moments of the film.
Documentaries like this one are vitally important to see, even if it’s hard to watch. Not only does it illustrate the horror Marina and her family went through, but it also profiles several other women who were attacked with acid and were not as lucky as Marina.
Their appearances are much worse than hers, but their courage is astounding. One woman whose eyes are sealed shut and has burns across her face and down her neck said she actually feels more comfortable with herself than she did before she was attacked. She said she wants people to see what happened to her to raise awareness about the growing problem of acid attacks.
“Finding Face” brings this disturbing crime that is on the rise into harsh focus. They point out the highest rates of acid attacks are in Asia, the Middle East, Africa, the United Kingdom and the U.S. — proving this is not just a third-world country issue.
The film accomplishes everything it set out to do and more – getting people talking about an issue largely ignored before, telling a powerful story of injustice, human rights violations and gender-based violence.
“Finding Face” is a film the viewer will never forget.
Thursday, 15 October 2009
University of Idaho
Imagine yourself at 16 — barely settling into middle school or high school and oblivious to most of the world around you. Now imagine you were told you were being given a recording contract with a fairly well-known record label, and you’d be able to do what you always dreamed of doing: singing. Life is going well, and people begin to recognize you for your beauty and your voice. Then suddenly a man falls in love with you, but not just any man — a much older, powerful man, one who is important and noticeable throughout the country. And with that power, he coerces you into staying with him, though you do not love him. He threatens you if you say you want to leave and keeps a gun around to make sure you don’t try. So you stay.
But it’s not long before you find out he’s a married man. And one day, with no warning, his wife — whom you’ve never met — grabs you on the street by the hair, beats you and throws a liter of acid over your face and body.
The life you knew is instantly taken away, and the people who were responsible are never brought to justice.
This is the story of Tat Marina (pictured), a Cambodian woman who was allegedly attacked by Undersecretary of State Svay Sitha’s wife in 1999. Ten years and 25 surgeries later, Marina’s appearance is still a shadow of her former self. She was lucky enough to be granted juvenile amnesty in the U.S. after she was attacked, but every morning she literally draws most of her features onto her face in eyeliner, eyebrow pencil and lip liner.
Marina wears hoods to cover her face in public, and she lives in a constant state of fear for her family, who were still living in Cambodia at the time of the film, and were threatened many times by Sitha.
“Finding Face” does not play soft with its audience. Most of the film speaks for itself through Marina’s testimonial, in addition to her family’s, but the filmmakers also let the audience watch as Marina’s family sees her on film for the first time since she was attacked. Their reaction to her appearance — which they had assumed would be closer to her former self — is one of the most heartbreaking moments of the film.
Documentaries like this one are vitally important to see, even if it’s hard to watch. Not only does it illustrate the horror Marina and her family went through, but it also profiles several other women who were attacked with acid and were not as lucky as Marina.
Their appearances are much worse than hers, but their courage is astounding. One woman whose eyes are sealed shut and has burns across her face and down her neck said she actually feels more comfortable with herself than she did before she was attacked. She said she wants people to see what happened to her to raise awareness about the growing problem of acid attacks.
“Finding Face” brings this disturbing crime that is on the rise into harsh focus. They point out the highest rates of acid attacks are in Asia, the Middle East, Africa, the United Kingdom and the U.S. — proving this is not just a third-world country issue.
The film accomplishes everything it set out to do and more – getting people talking about an issue largely ignored before, telling a powerful story of injustice, human rights violations and gender-based violence.
“Finding Face” is a film the viewer will never forget.
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