U.S. Attorney's Office, via Agence France-Presse — Getty Images
By TOM MASHBERG and RALPH BLUMENTHAL
The New York Times
Published: November 13, 2012
Federal prosecutors trying to seize a multimillion-dollar 10th-century
Cambodian statue from Sotheby’s have accused the auctioneers of
colluding with the item’s owner to hide information that it was stolen
from a temple in 1972, according to papers filed in United States
District Court in Manhattan. Prosecutors say that in 2010, when the statue was being imported into
the United States, the owner submitted an inaccurate affidavit to
American customs officials, at Sotheby’s request, stating the statue was
“not cultural property” belonging to a religious site.
The government contended in its filing on Friday that both parties knew
the statue, a mythic Hindu warrior known as Duryodhanna, valued at up to
$3 million, was stolen when they agreed to ship it from Belgium to New
York. The government says it can prove that the statue in fact came from
a Khmer Dynasty temple, Prasat Chen, part of a vast and ancient complex
called Koh Ker.
Sotheby’s on Tuesday denied the allegations, saying the government is
straining to bolster a thin case by picking selectively through the
evidence provided by the auctioneers.
The United States attorney’s office is trying “to tar Sotheby’s with a
hodgepodge of other allegations designed to create the misimpression
that Sotheby’s acted deceptively in selling the statue,” the auction
house said in a statement. “That is simply not true.”
At the heart of the case are the questions of when the statue left
Cambodia and whether Cambodian laws and international accords in effect
at that time would have barred the item’s removal.
The government has accused Sotheby’s of providing “inaccurate
information to potential buyers, to Cambodia and to the United States,”
and lists both civil and criminal penalties. Sotheby’s has said the
statue’s removal from Cambodia cannot be dated with certainty given the
centuries of looting after the fall of the Khmer kingdom in the 15th
century.
“The original complaint relied on a series of hopelessly ambiguous
French colonial decrees,” Sotheby’s said in a statement. (Cambodia was a
French protectorate until 1953.) “There is no clear and unambiguous law
that would have given purchasers fair notice that the modern state of
Cambodia claims ownership of everything a long-defunct regime made and
then abandoned 50 generations ago.”
In September, a federal judge expressed skepticism about the
government’s case, saying that Cambodia did not have “clear ownership
established by clear and unambiguous language.”
The sculpture is a hulking 500-pound Khmer masterpiece that was set to be auctioned in March 2011 but withdrawn after Cambodia objected and asked for its return. Cambodia is also seeking the return of a companion piece, of a warrior called Bhima, that is on display at the Norton Simon Museum
in California. Cambodia has identified the two massive pedestals where
the statues once stood because their feet match the statues, which were
broken off at the ankles.
Federal investigators have said the Sotheby’s statue was among thousands
pillaged during civil war in Cambodia in the 1970s and that Cambodian
witnesses recall seeing it in place in that era. In its amended
complaint, the government said it had narrowed the date of removal to
“in or about 1972” and had identified the looting ring that took it. The
ring was not identified in the papers.
Prosecutors said the looters turned the statue over to a Thai middleman,
and it ended up in the hands of a “collector,” but the papers do not
name him. The collector is said to have sold the statue to a London
dealer, Spink & Son, a major purveyor of Asian artifacts now
reincorporated under the name Spink. In 1975, the statue was bought by
the husband, now dead, of a Belgian woman named Decia Ruspoli di Poggio
Suasa, who turned the work over to Sotheby’s for auction in 2010.
The government contends Sotheby’s left out the name of the collector who
sold the statue to Spink and other details about the statue’s
provenance to mask the trail of the artwork. Sotheby’s denied that,
saying it left out the name of the collector because he had no role in
the deal.
Douglas A. J. Latchford, an Asian art collector, donor and adviser to
the Cambodian government on Khmer antiquities, said by phone from
Bangkok that he is the collector referred to in the court papers.
He said Spink bought the statue in Thailand in late 1971 or 1972. He
said he is listed by name on Spink’s original ownership papers because,
unknown to him, the company had used his funds for “accounting purposes”
to purchase the statue. He said he never had possession of the statue.
Mr. Latchford rejected government claims that he and Spink knew the
statue was stolen from Cambodia and conspired to “fraudulently obtain
export licenses” to send it from Thailand to England in 1972. He said
the case “is based on suppositions — they have no facts.”
Prosecutors also say Sotheby’s tried to mislead potential buyers and the
Cambodian and United States governments by concocting a tale that the
sculpture had been seen by a “scholar” in London in the 1960s, four
years before its actual theft.
The date is significant because most American museums will no longer
purchase antiquities without proof that they left their countries before
1970, the date of a United Nations covenant aimed at protecting
cultural heritage items from looters and disreputable buyers.
The evidence collected by the government includes an e-mail from a
Sotheby’s official to the Khmer scholar, Emma C. Bunker, that in part
reads, “If I can push the provenance back to 1970, then U.S. museums can
participate in the auction without any hindrance.”
Sotheby’s said, “This e-mail illustrates the appropriate due diligence”
that the house undertook “to learn the provenance of the statue prior to
1975.” The auction house says it gave the government a document that
shows that Ms. Bunker told it that the sighting was in the 1960s.
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