By Sean Gleeson
Wednesday, 09 May 2012
Phnom Penh Post
Since its founding more than 30 years ago, MTV has had a transformative
impact on the music industry across the world. Alongside its efforts in
ushering in some of the biggest musical trends of the past three decades
and pioneering the development of modern reality television, the iconic
network can now add social advocacy to its list of credentials.
The MTV EXIT
(End Exploitation and Trafficking) campaign, drawing on the network’s
immense musical resources, has teamed up with the Association of
Southeast Asian Nations and the foreign aid departments of the US and
Australian governments in an ongoing programme to increase awareness and
prevent the exploitation and trafficking of young people from across
Asia.
In Cambodia, a National Trafficking-in-Persons Prevention Roadshow is now taking the organisation through five provinces.
After
performances in Prey Veng and Kampong Cham last month, the MTV EXIT
team will travel through Koh Kong, Banteay Meanchey and Siem Reap in
June and July. Each province has been chosen due to the high incidence
of trafficking in the localities.
“The focus of the selection
process was to choose five key provinces with a high prevalence of
reported human trafficking cases,” says Shane Lee, MTV EXIT’s
communications manager.
“These five provinces were chosen in
strict consultation with local counter-trafficking organisations in
Cambodia, and Winrock International, which is also working closely with
the National Committee to Lead the Suppression of Human Trafficking,
Smuggling, Labor and Sexual Exploitation of Women and Children.”
Each
leg of the tour features a number of educational activities led by
musicians, dancers and comedians. Organisers have announced that the
popular rapper Poukhliang will be performing at all shows.
In
one interactive workshop, children are invited to participate in the
painting of an anti-trafficking mural led by two young professional
artists.
Helping to spread the message in Cambodia are a
selection of local youth leaders, drawn from the ranks of an MTV EXIT
forum held in Phnom Penh last year and membership of the Khmer Youth Association.
Many
of the young representatives have been drawn from the provinces that
the road show will tour through over the course of the tour.
Matt
Love, MTV EXIT’s campaign director, says that education about the
dangers of labour and sexual trafficking in the region is the first step
towards eliminating the practice.
“The power of conversation is
important,” says Love. “Being informed is the first step to protecting
ourselves. MTV EXIT’s peer-to-peer learning approach seeks to empower
young people to be equipped with knowledge and toolkits, therefore
provide them with the platform to spread key anti-trafficking messages
on a grassroots level across Cambodia.”
Lee says that in
isolated parts of the country, where access to broadcast media is
limited, the onus falls upon local youth to spread the word.
“Over
and above mass media efforts to spread the awareness, it is important
to reach out to vulnerable communities who have limited access to
education on human trafficking and exploitation,” Lee says.
To contact the reporter on this story: Sean Gleeson at ppp.lifestyle@gmail.com
2 comments:
ជាការពិតណាស់ថា ឥរិយាបថអង្គុយបត់ជើងលើអាសន នៃអ្នក
ចំរៀងចាប៉ីដងវែងជាបែបបទសមរម្យនិងជាទម្លាប់ខ្មែរ តែខ្ញុំ
គិតដល់ផាសុកភាពរបស់គាត់។ ខ្ញុំជឿថាបើរៀបចំឱ្យគាត់អង្គុយ
សណ្ដូកជើងចុះលើកៅអីមានទ្រនាប់ទន់(cushion)ដូចយើង
រាល់គ្នា នោះគាត់ច្រៀងរឹតតែពីរោះ។ ខួរក្បាលគាត់១០០ភាគរយ
នឹងផ្ចង់លើចំរៀង មិនរវល់ខំបំបិទ(suppress) នូវអផាសុករបស់
រាងកាយគាត់។ ក៏ដូចគ្នានេះដែរ បើពុទ្ធបរិស័ទខ្មែរបានអនុញ្ញាត
ឱ្យអង្គុយសណ្ដូកជើងឬពែនភ្នែនស្ដាប់ព្រះធម្មទេសនា!!!! នោះ
គំនិតប្រាជ្ញាស្មារតីគាត់នឹងកើនក្នុងការស្ដាប់និងចងចាំ!!!!!។
ព្រះសង្ឃគង់ភ្នែនលើអាសនខ្ពស់រួចទៅហើយ គ្រាន់តែបរិស័ទ
ពែនពីក្រោមម្ដេចក៏មិនសម!!!! តាមយោបល់ខ្ញុំគឺជាឯកភាព។
ឬមួយក៏ទាស់នឹងបទវិន័យណាមួយក្នុងវិន័យបិតកដែលខ្ញុំរៀន
មិនទាន់ដល់!!។
4:38 AM. agree with you. It's very uncomfortable to sing sitting cross-legged like that and the singer will lose concentration, especially Chapei songs are not pre-written, but sing out of the singer's instant imagination.
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