T. S. Subramanian
The Hindu
There are signs of devastation everywhere and vandalism too. Still, the
sights at the Ta Prohm Buddhist monastic complex, built by Cambodian
king Jayavarman VII around 1181 CE in Siem Reap province can leave
visitors benumbed. Massive silk cotton trees have grown on the vimanas
of shrines and uprooted many other structures, including galleries,
shrines, pillars, and lintel beams. Corbelled roofs have caved in and
pillars with beautiful carvings have broken into two. The gopuras on the
east and west look forlorn with the sand-stone blocks that form the
visage of Avalokitisvara dislodged from their places. Amid the ruins are
the 48 pillars of the Hall of Dancers. Bas reliefs of Apsaras and
Bodhisatvas have been gauged out of shrines and their niches are barren.
Every morning at this complex, there is a scrimmage of international
tourists. “At 9 a.m. itself, there are long queues to see the trees that
have grown over vimanas. Some of the trees are more than 40 metres
tall,” said D.S. Sood, Deputy Superintending Archaeological Engineer,
Archaeological Survey of India (ASI) and team leader of the Ta Prohm
Temple Project. Tourists come from all over the world but mainly from
South Korea, Japan, France, Germany, Singapore and India.
“We are a team of five from the ASI, restoring the Ta Prohm complex from
December 2004,” Mr. Sood said as he hosted a team of visiting Indians,
led by T. Satyamurthy, former Superintending Archaeologist, ASI, on June
24. “It is a challenging work because of the environmental and site
conditions. Safeguarding the authenticity of the monuments is of utmost
importance. UNESCO has said we cannot cut any tree because it wants the
people to see here how the trees and the complex coexist,” said Mr.
Sood.
Jayavarman VII dedicated this temple to his mother. He called it a
“Rajavihara” (the royal temple). The word “Ta” means ancestors and
“Prohm” originates from Brahma, Hindu god of creation. The main image in
the sandstone complex is that of Pragnya Paramita, goddess of wisdom.
The complex — 1,150 metres long and 663 metres wide — has concentric
enclosures that house 39 shrines with small vimanas, galleries, the Hall
of Dancers, a causeway connecting the third and fourth enclosures etc.
Dr. Satyamurthy called Ta Prohm “an outstanding monument” built of
interlocked sandstone blocks without any binding material. It was
different from the monuments in India because it had a single core.
Jayavarman VII, a Buddhist, was succeeded by Jayavarman VIII, a Hindu.
Jayavarman VIII systematically destroyed the Buddha images at Ta Prohm,
Angkor Thom, Prea Khan and Banteay Kdei. The shifting of the capital
from Siem Reap and invasions, internal disputes and neglect led to the
ruin of the monuments.
UNESCO inscribed Ta Prohm on the World Heritage List in 1992. Today, it
is one of the most visited complexes in Cambodia’s Angkor region. The
conservation and restoration of Ta Prohm is a partnership project of the
ASI and the APSARA (Authority for the Protection and Management of
Angkor and the Region of Siem Reap).
When the ASI team arrived at Ta Prohm in 2004, everything was in ruins:
there was very little standing other than the gigantic trees.
Mr. Sood, senior conservation assistants T.K. Ganju and A.K. Soni, and
senior draftsmen E.P. Biswas and H. Raghavendra assessed the challenge.
Mr. Sood said, “We studied the monument, its behaviour and tendency, how
the structures were built, their methodology and technology, their
stability, the materials used in their construction, why conservation
was necessary and the quantum of conservation to be done. We analysed
the causes of neglect.”
The first structure that the ASI restored to its glory was a completely
collapsed gallery in the third enclosure. It was rectangular in shape.
Its corridor, corbelled roof and two parallel rows of pillars had
fallen. Only the corridor’s rear wall, once decorated with bas reliefs
of mythical figures, stood. The ASI team restored the gallery and the
causeway with balustrades, connecting the third and fourth enclosures.
Mr. Sood said, “After proper documentation, we removed the gallery’s
fallen stones, using a crane. We documented all parts of the gallery.
The stones were numbered and measured for their length, breadth and
height, and weighed. It was a jigsaw puzzle to find out to which part of
the gallery the stones belonged. We were clear that we could not use
broken stone blocks without joining them. If the broken parts of a block
were available, we joined them by inserting steel rods inside after
drilling holes in the blocks. We used the same kind of material. We did
not use mortar or any binding material. We started the gallery
restoration in 2007 and completed it in 2010.”
It was an equally big challenge to restore the Hall of Dancers. “The
roof had caved in. There was no access to go inside,” Mr. Ganju said.
The ASI team meticulously restored the hall, block by block. Where the
sandstone blocks were missing, it used stones from the original source:
the Kulen Mountain. A massive tree stands inside the hall on one side.
“We will keep the tree as it is, because UNESCO wants people to
understand how it looked before the restoration. On the right side, we
will restore the roof,” Mr. Sood said.
During the hall’s restoration, the ASI found the lower half of a
beautiful golden crown. The hall was not meant for performing dances.
Monks used it for meditation. The gopuras on the entrances on the east
and west are being restored.
Dr. Satyamurthy called the restoration work “a remarkable achievement in
the context of the enormity of the challenges involved.”
The ASI took the help of the Forest Research Institute, Dehra Dun, to
prop up the trees that had grown on the structures. Water and Power
Consultancy Service Limited, New Delhi, did hydrological and
ground-penetrating radar studies to understand the movement of the roots
below the soil. The Indian Institute of Technology — Madras helped the
ASI in resolving the structural stability of the monument.
About 200 Cambodian workers, skilled and semi-skilled, are assisting the
ASI team. If the magnitude of work at Ta Prohm is any indication, the
ASI team has its hands full till at least 2014.
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