Harnessing the emotional trauma of one of the 20th century’s most tragic episodes — a nearly four-year ultracommunist revolution that left a quarter of Cambodia’s population dead — the reality TV show “It’s Not a Dream” is jarringly raw
The
television host asked Moung Ramary about her estranged father as
cameras zoomed in on her anguished face and panned across the studio
audience. Moung Ramary, who today is a photogenic and expressive
33-year-old woman, was in her mother’s womb when in 1979, in the days
after the fall of the Khmer Rouge regime, her parents separated, she
explained to her inquisitor. As the host teased out tears by prodding
her to talk about her sorrowful childhood, the father she had never met
was just a few yards away, hidden by a wall but watching her talk
through a live video feed. Harnessing the emotional trauma of one of the
20th century’s most tragic episodes — a nearly four-year ultracommunist
revolution that left a quarter of Cambodia’s population dead — the
reality TV show “It’s Not a Dream” is jarringly raw.
Three months earlier, Moung Ramary was flipping through channels when
she came across the television program on which she would soon appear.
“I started watching and saw how they helped people find lost family
members, so I decided to call in,” she told TIME the day before her
reunion. The show, which airs on the Cambodian network Bayon, debuted in
2010 and is modeled on a program in neighboring Vietnam that reunited
family members who were separated during the country’s years of civil
strife in the 1960s and ’70s. Most people in the Cambodian version were
separated during the Khmer Rouge’s rule from 1975 to ’79, during which
some 2 million Cambodians died from starvation, overwork or
execution. The regime often forcefully split families as part of a wider
policy to destroy traditional bonds. It also banned schooling, religion
and any other belief system or institution it deemed a threat to its
authority. By the same Orwellian logic, they frequently arranged
marriages between strangers to ensure their union was purely
procreational.
(PHOTOS: Displaced: The Cambodian Diaspora)
That’s what happened to Moung Ramary’s parents. “I hadn’t known her, I
didn’t have any feelings towards her,” Moung Sokhem, now in his 60s,
said matter-of-factly of Moung Ramary’s mother, speaking to TIME at his
home on the outskirts of Phnom Penh a few days before he appeared on the
show. Moung Sokhem was unschooled but skilled at menial labor, which
made him a model citizen in the eyes of cadres who oversaw their
village. Moung Ramary’s mother, on the other hand, was a classic class
enemy: urban and educated, a fact that she hid in order to avoid being
targeted. After the fall of the Khmer Rouge, their forced marriage
unraveled.
Moung Ramary’s case is unique in that her parents chose to separate.
Most of the more than 1,000 cases submitted to the television show
involve loved ones who were torn apart against their will. After the
Khmer Rouge were toppled in 1979, most Cambodians marched for days or
weeks back to their birthplace in search of estranged family members.
Others sought refuge in sprawling camps along the border with Thailand
as remnants of the fallen Khmer Rouge army continued to wage war in
parts of the countryside. To this day, most Cambodians have a close
relative whose fate is uncertain.
Yet, the country has never had a top-level initiative to help
estranged family members reunite. Most Cambodians still survive on a
couple of dollars a day and lack the resources to conduct far-flung
investigations. Prak Sokhemyouk, the reality show’s producer, says “It’s
Not a Dream” is designed to fill this gap. She also hopes it will teach
young Cambodians about a horrific episode of their country’s history
that they may know little about. Many parents avoid talking about this
dark era, and younger generations’ ignorance of what happened has been
compounded by the absence of Khmer Rouge history in the national
curriculum until just a few years ago. Addressing those years remains
sensitive for the government because many current officials, including
Prime Minister Hun Sen, participated in the revolution. Even the
producer Prak Sokhemyouk admits that until she worked on the TV show,
she avoided hearing about the Khmer Rouge years because she found the
facts of her country’s self-destruction too painful and inexplicable.
(PHOTOS: The Rise and Fall of the Khmer Rouge)
Some Cambodians and international observers hoped that a war-crimes
court opened in Phnom Penh in 2007 would provide a foundation for
national reconciliation. In 2010, the chief of an infamous torture
center was sentenced to 35 years in jail — a term that was recently
extended to life. Tens of thousands of Cambodians attended his trial and
many more followed testimony on television. Legal wrangling, political
interference and delays have beset subsequent prosecutions. Besides,
argues Youk Chhang, director of the Documentation Center for Cambodia, a
nonprofit group that collects research about the Khmer Rouge, the
tribunal has a narrow scope. The goal is to prosecute crimes within a
limited jurisdiction, he says, not to provide a venue for national
catharsis.
The absence of wider venues for Cambodians to address their suffering
has exacerbated the psychological toll, say mental-health experts. For
survivors of the Khmer Rouge’s rule, simply discussing what they
experienced is therapeutic, says Chhim Sotheara, a psychiatrist with the
Phnom Penh–based NGO Transcultural Psychosocial Organization
Cambodia. Various studies have found that between a third and more than
half of Cambodians who lived through the 1975-79 revolution subsequently
suffered from posttraumatic stress. However, few receive care. Though
some have access to help from NGOs, government assistance for mental
health is essentially nonexistent. “It’s Not a Dream” then treads a fine
line between stirring up pain for the cameras and, sometimes, providing
a form of joyous resolution.
The reunions, of course, are not always jubilant. In one of the most
emotional episodes — there have only been 17 so far — a brother was
reunited with his two sisters. Holding her brother on stage, one
sister’s first words to him were: “Our parents are dead. The rest of our
siblings are dead. It’s just us.” Moung Ramary’s reunion was less
painful, but equally dramatic. When her father went on stage, she
prostrated herself before him, according to Cambodian tradition, and he
fell to his knees to embrace her. They could barely form words for one
another. “I want to live with love and warmth, I don’t want to feel
hatred or malice,” Moung Ramary had said in an interview before her
reunion. Since being reconnected with her father, she has regularly
visited him and his new family — meetings that she says have helped give
her closure.
In contrast to the ever more scripted and trivial reality TV that’s
proliferated in the U.S. — shows built around loud personalities and
dubious everyday scenarios — “It’s Not a Dream” produces the kind of
convulsive sobs and clenched hugs that’s the stuff of genuine
documentary. But even when working with such profound material, a bit of
stagecraft is needed. At one point in the middle of Moung Ramary’s
shoot, Prak Sokhemyouk walked onto the stage and whispered a message to
the host. She was telling him to hurry up, the producer explained after
the show. “We were losing the emotion.”
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